Tampilkan postingan dengan label Shakespeare. Tampilkan semua postingan
Tampilkan postingan dengan label Shakespeare. Tampilkan semua postingan

Jumat, 27 Februari 2015

Shakespeare Unlimited Podcast with Professor Ayanna Thompson

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GW English Professor
Ayanna Thompson
Professor Ayanna Thompson has been featured on the Shakespeare Unlimited Podcast, available on the Folger Shakespeare Library's website.

"Our own voices with our own tongues": Shakespeare in Black and White is available for listening here.

The library's website describes the podcast:

'In one of two podcasts on Shakespeare and the African American experience, "Our Own Voices with Our Own Tongues" revisits the era when Jim Crow segregation was at its height, from a few years after the end of the Civil War to the 1940s and 1950s.

Rebecca Sheir, host of the Shakespeare Unlimited series, talks about black Americans and Shakespeare in that time with two scholars of the period, Marvin MacAllister and Ayanna Thompson.

The discussion ranges from landmark performances—Orson Welles's Depression-era all-black Macbeth and Paul Robeson's Othello— to powerful, though less familiar, stories from the Folger's hometown of Washington, DC. It also draws in later questions about African Americans and Shakespeare, including the role of race in casting choices to this day.'

Senin, 02 Februari 2015

Shakespeare in the Mediterranean Information Session

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Join us for an information session on this exciting GW English Summer Study Abroad course!  Read more about the course here.

Summer Study Abroad: Shakespeare in the Mediterranean, May 18-June 4.

Professors: Suzanne Miller, History; Katherine Keller, English

Application Deadline: March 2, 2015

Information Session: Tuesday, February 17, 5:30-6:30pm, Marvin Center 506

Minggu, 18 Januari 2015

Shakespeare in the Mediterranean: Summer 2015

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Shakespeare never traveled beyond England, but the Mediterranean, especially Italy, inhabited his imagination and that of his audience.
Venetian Canals

Dubrovnik from the hills
This is your opportunity to travel in his stead. Make the voyage to Venice and read Othello and the Merchant of Venice along its canals; journey to Verona and read about star crossed young lovers in Romeo and Juliet; cross the Mediterranean to the magical sea coast of Illyria and read Twelfth Night in Dubrovnik.  

Come to the Mediterranean this summer with Professors Suzanne Miller (History) and Katherine Keller (English) and read these Shakespeare works and others.  We will also read historical documents and works Shakespeare might have read--traveler’s tales, romances from Italy, conduct books such as Castiglione’s The Courtier--to see how his understanding of contemporary Italy informed Shakespeare’s plays.


For more information, visit GW's study abroad website here. Or contact us directly: Professor Miller (smmiller@gwu.edu) or Professor Keller (kzkeller@gwu.edu).        

Minggu, 07 September 2014

D Gilson Publishes "Out of Sequence: The Sonnets Remixed"

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For the last year, PhD student D. Gilson has been soliciting poems, essays, and artwork for a special collection from the academic journal Upstart: A Journal of English Renaissance Studies. In fact, this collection, titled Out of Sequence: The Sonnets Remixed, brings together 154 writers and artists responding to Shakespeare’s Sonnets. Gilson explains, “After reading the Sonnets in Robert McRuer and Holly Dugan’s queer theory seminar, I started thinking about how these famous verses might influence us today, or how we might, as both writer/artists and scholars, respond to them in the twenty-first century.” The result is a multi-media feast for those interested in Renaissance poetry and contemporary literature alike.

The GW English Department is represented well in the collection. In addition to an afterword by Professor Ayanna Thompson, Out of Sequence includes Professors Jonathan Hsy and David McAleavey, and PhD students Maia Gil'Adi, Sam Yates, Patrick Henry, and Dora Danylevich. In her afterword, Professor Thompson points to the entries in Out of Sequence as a “performance piece that work to create a queer community with Shakespeare at its center, but their Shakespeare remains fully dead and voiceless. Nonetheless, the poems’ performances of queer desire imagine and create a Shakespeare as he might have been had he lived today. Remixing, then, releases the past (even the desire to experience the past, or “to speak with the dead”) in order to experience the present more fully, vibrantly, and complexly.”


Speaking about the motivation behind such a project, Gilson contends, “I am most interested in tearing down that binary between the creative and the critical, not negating one over the other. A creative writer can think critically, and the academic can be creative.” This is evident in entries where scholars write poems, or poets critique Shakespeare’s work in their own lives. Or where Shakespeare is imagined using Twitter, having threesomes, and listening to Paul Simon. Available in print later this fall from Parlor Press, you can check out the online edition of Out of Sequence: The Sonnets Remixed here at Upstart .
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